Robert Woolf

dek no codeIn the 40s, 50s, and 60s, architect John Elgin Woolf and his partner, lover, and, later, adopted son, designer Robert Koch Woolf, gave the Beverly Hills elite a new kind of home, as glamorous as any movie set. The author traces the star-studded rise of Woolf's "Hollywood Regency" style, and the unorthodox family he created.

The room of ones own that Virginia Woolf deemed essential to writing also does wonders for art. For the yearlong Singular Visions, the Whitney hauled a dozen works out of storage (and, in the case of a cantilevered marvel by Robert Grosvenor, restored them) and ensconced... (Subscription required.)

Night and Day (Classics) With Active Table of Contents Rating: (out of 10 reviews) List Price: $ 3.95 Price: Night and Day is a novel by famous author, Virginia Woolf. Night and Day contrasts the different lives of two friends, Katharine Hilberty and Mary Datchet.The novel shows the relationships between love, marriage, happiness and success. An excerpt:TO VANESSA BELL BUT, LOOKING FOR A PHRASE, I FOUND NONE TO STAND BESIDE YOUR NAME It was a Sunday evening in October, and in common with many other young ladies of her class, Katharine Hilbery was pouring out tea. Perhaps a fift Tags: Active, Classics, Contents, Night, Table Related posts Treasure Island by Robert Louis Stevenson active table of contents (5) Gullivers Travels; The Complete Version with Active Table of Contents (0) Complete Works of William Shakespeare ~ 197 Plays, Poems & Sonnets ~ Active Table of Contents (5) ANTHEM by Ayn Rand with Active Table of Contents (5) When Night Falls Reviews (5)

Leonard Woolf characterized Robert Lynd as "one of those impeccable journalists who every week for 30 or 40 years turn out an impeccable essay . . . like an impeccable sausage, about anything or everything or nothing." "Child's Talk," originally published in 1922, is one of those impeccable essays.

The culture secretarys rhetoric about box ticking in arts funding undermines his claim that he will broaden participation in the arts It is a shame that Cardinal Walter Kasper was, in the end, unable to make the trip to our third-world country. If his health had held out, I would have invited him to accompany me to The Tabernacle, a drinking spot in Londons Notting Hill, for the launch of a groundbreaking anthology of poetry written by some of the UKs most inspiring new poets. If Id had the inclination, I might have extended the invitation to Jeremy Hunt, secretary of state for culture, Olympics, media and sport; and for moral support, the Guardians Alison Flood, a poetry collection novice, who has been asking for advice on which poetry books to buy. Ten, published by Bloodaxe Books, is unique. It reflects the multicultural makeup of Britain today not its third-worldness, Cardinal. The 10 poets in the collection have histories spanning Grenada and Guyana, Saudi Arabia, Sri Lanka, Pakistan, Bangladesh, Ethiopia, Ireland, Ghana, Uganda, England, and Trinidad and Tobago. The point about diversity is that it is our culture, says poet Tim Dooley, the reviews editor at Poetry London. This is a wealthy country that is full of the energy of the people of the world. People come here to find a voice and, in turn, they give London in particular its voice. For people in poetry, this [launch] is a very important event. One of the reasons Ten matters is because it redresses a gross imbalance, namely that under 1% of poetry books published in the UK are by black or Asian poets. This is, quite simply, not fair, says one of the anthologys editors, Bernardine Evaristo. And we all know that fairness is a traditional, core British value. Dont we just. A week before the launch of Ten, Hunt told delegates at the Media Festival Arts that he is firmly in favour of broadening participation in the arts and is very ashamed that we still live in a country where many, many people dont get a chance to access the arts. Sounds hopeful, doesnt it? Unfortunately, what he said next was not: The debate has got to move on from the kind of box-ticking targets approach that says that in return for your grant from the Arts Council, you will get so many people from particular ethnic or social backgrounds. How exactly is the Arts Council to interpret this? Should it now be striving to fund projects that mimic the largely white, male, privately educated, Oxbridge cabinet of which Hunt is such a fortunate part? Seriously, though, the poets who comprise the Ten anthology are not colourful ticks in boxes, but talented poets in their own right. Karen McCarthy Woolfs pamphlet, The Worshipful Company of Pomegranate Slicers, was selected as 2006 Book of the Year in the New Statesman. Mir Mahfuz Alis poetry has appeared in Ambit, PN Review, Poetry London and London Magazine. Roger Robinson has received commissions from The National Trust and the National Portrait Gallery. Malika Booker is soon to be the Royal Shakespeare Companys poet-in-residence. Nick Makoha was commissioned to write a one-man show for The Theatre Royal Stratford. These are committed, hard-working artists: they dont want charity; they want equality. Mainstream poetry presses need to open their lists up to new black and Asian voices now not in three, 10 or 20 years, says Evaristo, who laments that Faber has only published two non-white poets in 80 years Linton Kwesi Johnson and Daljit Nagra, who co-edited Ten. One hopes that it wont be another 80 years before another such poet makes the list. The total Arts Council budget this year has been reduced by 23m to 445m. Evaristo says that the cost of the entire Ten project was minimal: The implication is that funding is somehow being misspent on women and ethnic minorities. Not the grant-guzzling opera houses, art galleries and huge theatres, but [our] tiny but important project that cost peanuts. Correction. A peanut. This is not to complain, because at every step of the way the Arts Council has been behind this project. But the implication is outrageous. The Arts Council certainly got good value for its money. Working alongside the 10 poets were 10 mentors, all highly accomplished poets, including George Szirtes, Michael Schmidt, Michael Symmons Roberts, Pascale Petit and Mimi Khalvati. Others involved in the project included Patience Agbabi, this years Canterbury poet laureate. It struck me, as I trundled home on Friday night, that in 2005 Agbabi was invited to be Eton Colleges poet-in-residence. Of the offer, she wrote: Ive never made distinctions about my audience and I love that poetry can reach across cultural divides. Eton has never had anyone like me in the post and I have lots of creative and challenging ideas to offer. Theyve opened the door and Im stepping in. One can only hope that one of the boys who had the fortune to be inspired by Agbabis teaching will have more sense than Hunt. Poetry Arts funding Arts policy Jeremy Hunt Lara Pawson guardian.co.uk Guardian News & Media Limited 2010 | Use of this content is subject to our Terms & Conditions | More Feeds

Directed by Pam MacKinnon, Steppenwolf's Who's Afraid of Virginia Woolf? lives up to the high expectations.

It started just before 6:30 p.m. local time, police said. The Suns Gorilla at the event, Robert Woolf, who is not the same Suns Gorilla who performs at games, was at Dave & Buster's with other Suns employees, police said. Woolf attempted to high-five ...

Peter Scolari (who has done a bunch of great acting since his days alongside Tom Hanks in Bosom Buddies) is a chameleon, donning a number of great character parts, including Pat Riley, Red Auerbach, Jerry Buss, and Bob Woolf. A couple of the ...

All told, he said, "I play four and a half characters. I play very briefly, for a page or two, Larry Bird's sports agent who was an attorney and then became Agent to the Stars eventually — Bob Woolf. but really I play four characters, and I fool around ...

Although Scolari is playing Auerbach, Riley and Buss in “Magic/Bird,” and (briefly) another renowned personality, Bob Woolf, who was Bird’s agent, a fifth character, Tommy, had the greatest effect on him. Tommy is a Celtics fan and barfly ...

Two hundred people gathered at Jake’s Bar and Grill in East Bridgewater to mark the official end to the second annual “Mustache March” for area firefighters and police officers. The month-long event, coupled with raffles and donations, raised ...

The 21st Annual Underwood New Music Readings are under the direction of ACO’s Artistic Director, composer Robert Beaser ... Augusta Read Thomas, Randall Woolf, Jennifer Higdon, Daniel Bernard Roumain, Sebastian Currier, and ACO's Creative ...

Dynamic Idol (10/3), Cinevator (5/1), Fidelor (5/1), Rob Conti (5/1), George Woolf (8/1), Yellow Printer (9/1), Holden Caulfield (14/1), Small Fly (16/1), Temple Place (20/1), Pour Changer (22/1), Bobbits Way (33/1) George Woolf 6-1 (11-7) Tracked clear ...

She first came to prominence in Robert Redford’s “Ordinary People” in 1980 ... The original publishers were Virginia Woolf and her husband, Leonard.  And it was inspired by Leo Tolstoy’s classic novella, “Family Happiness,” which ...